Archive for the 'Gaming' Category

My Games of the Year 2011 (or how I became a gaming hipster)

Published on December 31, 2011 in Gaming and News. 0 Comments Tags: , , , , , , , , , , , , , , , , , , , .

Okay so I’m a bit late writing this, but you never know what might have come out on the 30th that could have blown everyone away, amIright?

Here in no particular order, for no particular reason, are the games I played this year that really stood out to me- these are the games I spent the most time playing, the most time looking forward to playing and the most time telling anyone that would listen that I was playing them and what was happening to me within the game at that exact moment.

Please note, the above definition has cleverly failed to specify that the games listed below need to have come out THIS YEAR.

Metal Gear Solid 1

I know, what am I like eh? But I’d never played a Metal Gear Solid game before and with the imminent arrival of the HD collections and the fact that NOT having played MGS has been putting a serious dent in my credibility, I thought it was time to rectify the situation.

My god it’s good isn’t it. The Kill Bill of video games, a hyper-real world with immediately iconic characters and this pervasive feeling of myth, even from the start. The bad guys aren’t just bad guys, they’re archetypes, and Snake is destined to fight them in one form or another throughout his existence.

I became an MGS fanboy the moment I met Cyborg Ninja and spent most of the time between play sessions forcing people at work to have the same conversations about it they’d already had a decade and a half ago when it first came out.

Star Wars: Knights of the Old Republic

Haha, no silly, not The Old Republic, KNIGHTS of the Old Republic, the original one, which came out on the Mac App store THIS YEAR so it totally counts.

I had started playing it on the original Xbox for about 5 minutes about 5 years ago, but back then, with the game sitting on my shelf between Halo and Burnout, I wasn’t hugely in the mood for a thoughtful, slow paced role-playing adventure.

I find playing on a PC/Mac creates a far more intimate experience than a console, which lends itself to a more thoughtful approach and during the late late nights of summer I rinsed this game of every fricking side-quest there was and in the end made a declaration of undying love to Bastilla who, at the opening of the game, was far too posh and snooty for me to even let her out of the ship. Trust me, it was a moment.

This game made me want to play table-top roleplaying again, it made me remember that Star Wars is still awesome if George Lucas isn’t involved and ultimately it forced me (FORCE forced me, probably) to purchase the out-of-print Star Wars: Saga Edition role-playing rulebook from some expensive American collectors store in an effort to get my fix.

Triple Town

or as I like to call it “Fuck you, Ninja Bears.”

Yes, if you thought I was about to go onto the ‘proper’ games any time soon think again, because I sunk more time into this indie Facebook game (which did indeed come out this year) than probably anything else. It’s a perfect match-three game, generous enough with its freemium model that you don’t mind throwing a few Facebook credits its way and with an irresistible art style that updates for festive occasions.

What I’m trying to say is, if they made a range of t-shirts for this game, I would buy them all.

And throw all my other clothes away.

SpaceChem

I bought this game on Steam after hearing the Oh No! Videogames! podcast bang on about it every other episode. Then I bought it for the iPad, because sometimes I’m not near a computer and not being near a computer shouldn’t ever get in the way of my SpaceChem fix.

It’s a beautiful, intelligent, ridiculously hard puzzle game that challenges you to create mini ‘programs’ that dismantle and reconstruct molecules in ever more elaborate processes. Each level can take hours to create, although most of that time will consist of banging your face against the screen in frustration, which makes your final solution all the more satisfying. I go back and look at my previous levels just to admire the shear clockwork beauty of them and bask in my own genius, until I see that someone else in the community managed to solve it with half the instructions.

SuperBrothers: Sword and Sworcery EP

A tweetable script! Isn’t that the most bloody genius idea anybody has ever had ever?

It helps that the script is witty, self-aware, pretentious and perfectly suited to the retro-simplistic gameplay as well, just the right side of knowing to never be smug, yet effortlessly aware of its own quality. #Sworcery is what you always remembered adventure games to be but they never were, it’s the REASON I bought an iPad (that’s not even a joke) and the soundtrack deserves every videogame music award going.

Portal 2

Well duh.

Deus Ex: Human Revolution

Again, there isn’t much to say about this game that hasn’t been said better everywhere else except for the fact that I’m insanely jealous of anyone who got to work on this game. It out Batmans Arkham Asylum and whereas with that game I’d complete a level and go “oh, I should have/could have done it that way” with this game I fricking DID IT THAT WAY.

Also I didn’t bother with that non-lethal nonsense, my Adam Jenson stopped giving a shit about the 3rd time all of his friends screwed him over.

Frozen Synapse

Okay sod it, I’m going all out hipster here because I was playing this game before the rest of you knew about it. Before Steam, or the Penny Arcade column, I saw Mode 7 Games give a talk at February’s World of Love conference about procedurally generated AI and bought into the Beta the moment I got home. This isn’t me trying to boast, it’s me being honoured by the fact that I was there, and got to see this small British Indie become a huge, huge thing, and my god it’s well deserved; postal chess for the digital age.

If chess were a squad-based shooter with a Tron aesthetic.

Warhammer Quest

So my final game of 2011 is a 16 year old board game set in the Warhammer universe.

Well the title didn’t say VIDEO games of the year.

One of the great things about joining Mediatonic has been the fact that I now know people who are into board games and it’s bloody brilliant. In fact, as split-screen gaming dies a death, I’ve been returning to board games more and more for those ‘invite friends over’ event nights that used to be ruled by teh Haloz. It brings people together, it’s cheaper than a night down the pub and you don’t have to worry about friends who’ve never met not having anything to talk about; the game IS the conversation.

This dungeon crawler is simple to learn, hard to master, and is the perfect gateway drug to the scary scary world of Dungeons and Dragons.

Just don’t play the wizard, or everyone will hate you.

 

Video Games: How Second Hand Smoke is Killing the Tobacco Industry and how to solve it.

Published on November 11, 2011 in Gaming, News and Rambling. 1 Comment Tags: , , , , , , .

These are dark times for the tobacco industry. For years the problem of second hand smoke and cigarette sharing between friends has been a growing concern and in these days of ever more expensive production costs, the fact that some smokers out there are inhaling the rich fumes of delicious tobacco without contributing anything to the mega-corps that produce them is something that desperately needs to be dealt with.

In fact, recent undisclosed but almost certainly true research has shown that second hand smoke and cigarette sharing is EQUALLY as bad as tobacco piracy, in which one person will steal a tobacco plant and use its seeds to grow a limitless number of others.

Now, some naysayers claim that this is not the case, that the act of sharing cigarettes will actually instigate nicotine addiction in a whole host of potential new customers who will go on to legally purchase their own packs. They might even go so far as to say that being able to count on someone to give you a cigarette if you’re caught short actually HELPS them continue the strength of their habit so that they will be able to purchase new packs in greater quantities.

But these short-sighted people haven’t factored in the hobos who smoke butts off the floor, or the social smokers who will only have one or two off a friend when they’re out on a Friday. These people will never contribute to the hard working tobacco industry, and whilst those cigarettes have technically already been purchased, the owners shouldn’t be allowed to pass them on to whoever they please just because they parted with money for them.

Therefore, in an effort to do my part to aid in the production of many more cigarettes in the future, I’ve made a list of a few things we can do to help the vulnerable tobacco industry.

  • Swabbing: all packs of cigarettes should come with a special swab, and before the purchaser can have even a single drag they must swab the inside of their mouth and send it off to the tobacco industry along with the unique code that will now be included on every pack. From then on, after smoking a cigarette, the tobacco industry can examine the DNA on the butts to make sure it matches only the purchaser’s. (In a slightly more extreme version of this, smokers must send a swab from the butt of the cigarette between every drag- although this has proved unpopular).
  • In an effort to make up the lost profits on cigarette sharing (of which there is a great and easily calculable number), the tobacco companies should raise the price of cigarettes.
  • People who are offered a cigarette by a friend should only be able to take a single drag (of course, the tobacco companies aren’t Nazis!). If they wish to smoke any more though, they will need to purchase their own code and swab separately from a newsagent.
  • Packs of ten cigarettes should be reduced to packs of eight, with the final two being attainable only if you send off a swab and a code.
  • In addition to the above, extra cigarettes should be made available over time at a discounted price for those who purchased new packets, but only if they can prove that nobody but the original purchaser smoked them.
  • A few years ago the tobacco industry attempted to increase the attraction of purchasing cigarettes new by offering special bonuses (cosmetic ones naturally, like the colour of the filter) to those that purchased new. But whilst that did appeal to some customers, they decided that it would be better to simply deprive cigarettes from those customers that failed to purchase packs quickly enough.

As you can see, with a few simple changes we can wipe out the cancer that is second-hand smokers whilst barely impacting the experience of new purchasers. Obviously these changes will be expensive to implement and may detract from the time spent on making sure the quality of the cigarettes is maintained but it’s nothing compared to how much extra money will be gained from wiping out the non-contributing members of the hobby. And who cares if sometimes the swabs and codes don’t work and you’re not able to smoke the pack you’ve legally bought from a shop? Remember,  it’s the tobacco industry that we’re helping here, not you.

This post was inspired by a twitter conversation between myself and @nolan_mcbride

Fear (is the mind killer): Thief and Dead Space

Published on January 30, 2011 in Gaming. 0 Comments Tags: , , , , , , , .

Why the scariest games are the ones where the monsters need glasses.

Now I don’t know how the rest of you dream, but when I have a nightmare I’m not the hero. I don’t have a weapon (or if I do it’s painfully ineffectual) and I’m certainly not stomping all over anything. In fact I’m usually cowering in some corner/behind a chest-high wall (yeah, cheers cover-based shooters) whilst some impossibly deadly behemoth is searching for a victim, knowing that at any moment I will be exposed and, inevitably, killed.

And that’s why the scariest game I ever played was Thief: The Dark Project.

It’s by no means one of the scariest games ever made, an award which I might tentatively throw in the direction of Amnesia: The Dark Descent because I haven’t played Silent Hill 2. It’s not even meant to be ‘a scary game’ – but that didn’t prevent me from sweating through every encounter and squealing like a little girl when I first fired up the demo.

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I decided to write this piece because of Dead Space 2, and as much as I love that franchise and its narrative world I’m not sure I would class it as scary.

Okay, yes I would.

It’s gory and disturbing, dripping with atmosphere, but the thrill comes from desperately trying to reload whilst enemies advance relentlessly. Frustration is the driving mechanic- spawning enemies behind you that instantly know where you are, it keeps you on the back foot, never letting you prepare- it’s about panic rather than a slow, creeping fear.

And I like my fear slow and creeping. I like designing strategies that must be executed perfectly, and one wrong move spells a return to the last checkpoint. But to do that you need to see the monsters. There’s a saying in other mediums that what you can’t see is the most terrifying but I’m not sure that’s as true in games. Watching something that could tear you apart in one hit go slowly about its business whilst you desperately hope it doesn’t turn in your direction is what gets my pulse pounding: Breaking from a shadowy haven to creep up behind a guard in Thief, praying he won’t turn around. Stepping aside to let a groaning Big Daddy pass in Bioshock- knowing that sometime soon you’ll have to take it on armed only with a pistol and a limp fire plasmid. And what about those security robots in System Shock 2 eh? Blimey.

Monsters that you can see but can’t see you, that’s the key, because it changes your perspective as a player. In this scenario you’re nothing, you’re not a hero because you’re not the focus of attention- you don’t worry these monsters and psychologically that’s terrifying. When everything exists purely to attack you you’re empowered, even if you’re not prepared, because it makes you feel like a big deal.

Prepare for a face-full of boot.

Sequels to scary games often fall victim to the need for escalation for the player, removing what made the game so spine-tingling in the first place. A Little Sister in Bioshock 2 is not half as scary as a Big Daddy in Bioshock 1 because I’ve stopped being just another pesky splicer- I’m the centre of her world; no longer hiding from the playground bully, instead I’m having my hair pulled by the girl who only does it because she fancies me.

It’s not that any of the above games are bad, in fact Bioshock 2 and Dead Space are personal favourites of mine, but it seems these days that the torch bearers of ‘stealth scares’ are becoming few and far between. And I miss them.

Now if you’ll excuse me I’m going to go hide from skeletons in my Minecraft hole for the sake of nostalgia.